Vinous - Antonio Galloni (93-96)

The 2022 Clos Haut-Peyraguey is laced with scents of tangerine oil, mint, white flowers and ripe green pear. Creamy and unctuous, but not at all heavy, the 2022 is showing beautifully today. All the elements are so well balanced in this classy, understated Sauternes from Bernard Magrez. Yields were just 9 hectoliters per hectare. Tasted two times.

The Wine Independent (94-96)

A blend of 94% Semillon, 5% Sauvignon Blanc, and 1% Muscadelle, with 158 g/L residual sugar, the 2022 Coutet is pale to medium straw in color. After a little swirling, the nose erupts with gorgeous lime cordial, fresh grapefruit, and mandarin peel scents, followed by wafts of wet pebbles, freshly shaved ginger, and beeswax. The palate is vibrant and shimmery with fantastic intensity and tension, finishing long and layered.

The Wine Independent (94-96)

A blend of 94% Semillon, 5% Sauvignon Blanc, and 1% Muscadelle, with 158 g/L residual sugar, the 2022 Coutet is pale to medium straw in color. After a little swirling, the nose erupts with gorgeous lime cordial, fresh grapefruit, and mandarin peel scents, followed by wafts of wet pebbles, freshly shaved ginger, and beeswax. The palate is vibrant and shimmery with fantastic intensity and tension, finishing long and layered.

The Wine Cellar Insider (94-96)

The first vintage with Sandrine Garaby, formerly of Chateau d'Yquem in charge is the winner you knew it would be. The wine is intense, rich, deep, and manages to balance its layers of roasted, ripe, and over ripe pineapples, mango, candied orange, vanilla, almond, and apricots perfectly. The fruits are slathered with honey, yet they retain that all important freshness as well. Drink from 2025-2050.

James Suckling (98-99)

Currants and cedar with sandalwood and peaches. Fascinating aromas. Violets. Full-bodied with a crunchy and electric palate of primary fruit, with hints of tangerines and citrus. Great finish with structure and polish. 53.6% merlot, 35.4% cabernet sauvignon and 11% cabernet franc. Interesting to have such high merlot in the blend.

James Suckling (98-99)

Currants and cedar with sandalwood and peaches. Fascinating aromas. Violets. Full-bodied with a crunchy and electric palate of primary fruit, with hints of tangerines and citrus. Great finish with structure and polish. 53.6% merlot, 35.4% cabernet sauvignon and 11% cabernet franc. Interesting to have such high merlot in the blend.

James Suckling (98-99)

Currants and cedar with sandalwood and peaches. Fascinating aromas. Violets. Full-bodied with a crunchy and electric palate of primary fruit, with hints of tangerines and citrus. Great finish with structure and polish. 53.6% merlot, 35.4% cabernet sauvignon and 11% cabernet franc. Interesting to have such high merlot in the blend.

James Suckling (98-99)

Currants and cedar with sandalwood and peaches. Fascinating aromas. Violets. Full-bodied with a crunchy and electric palate of primary fruit, with hints of tangerines and citrus. Great finish with structure and polish. 53.6% merlot, 35.4% cabernet sauvignon and 11% cabernet franc. Interesting to have such high merlot in the blend.

James Suckling (99-100)

Another mind-blowing Sauternes with dense and concentrated fruit, and incredible depth and power. Spices galore. Very sweet. 260 grams residual sugar. Twice the normal year. French TBA? 95% semillon and 5% sauvignon blanc.

James Suckling (99-100)

A classical Lafite that reminds me of something like the 1986, with its blackcurrant and tobacco character with cedar and hazelnut, but it's so today with its purity and precision. It's really about being Lafite here. Terroir gives great elegance with strength.

James Suckling (99-100)

A classical Lafite that reminds me of something like the 1986, with its blackcurrant and tobacco character with cedar and hazelnut, but it's so today with its purity and precision. It's really about being Lafite here. Terroir gives great elegance with strength.

James Suckling (99-100)

A classical Lafite that reminds me of something like the 1986, with its blackcurrant and tobacco character with cedar and hazelnut, but it's so today with its purity and precision. It's really about being Lafite here. Terroir gives great elegance with strength.

James Suckling (99-100)

A classical Lafite that reminds me of something like the 1986, with its blackcurrant and tobacco character with cedar and hazelnut, but it's so today with its purity and precision. It's really about being Lafite here. Terroir gives great elegance with strength.

James Suckling (99-100)

A classical Lafite that reminds me of something like the 1986, with its blackcurrant and tobacco character with cedar and hazelnut, but it's so today with its purity and precision. It's really about being Lafite here. Terroir gives great elegance with strength.

Jane Anson Inside Bordeaux (98-100)

Stunning in its density and construction, with a gorgeous balance that starts with red rose aromatics and slides into creamy and intense raspberry, damson, loganberry and cassis fruits. The intense structure of the vintage is on display, here with velvety tannins giving shape and contrast by a push and pull of slate, graphite, cloves, turmeric, cardamom and white pepper. Bitter dark chocolate ending, a character of the year but here delivered with a blast of cooling mint leaf. Philippe Bascaules director, harvest September 8 to 27, 25hl/h yield. 100% new oak, to be monitored carefully over ageing because this is the first time they have seen this level of alcohol in the Cabernet Sauvignon. 40% of the crop is into this 1st wine, one of the highest in years. Harvest September 8 to 27. They are slowly changing the row orientation in the vineyard at Margaux, begun last year but a 50 year project, and introducing more Cabernet Franc through field grafting (wanting to get up to maybe 15% of plantings, currently 5%).

Jane Anson Inside Bordeaux (98-100)

Stunning in its density and construction, with a gorgeous balance that starts with red rose aromatics and slides into creamy and intense raspberry, damson, loganberry and cassis fruits. The intense structure of the vintage is on display, here with velvety tannins giving shape and contrast by a push and pull of slate, graphite, cloves, turmeric, cardamom and white pepper. Bitter dark chocolate ending, a character of the year but here delivered with a blast of cooling mint leaf. Philippe Bascaules director, harvest September 8 to 27, 25hl/h yield. 100% new oak, to be monitored carefully over ageing because this is the first time they have seen this level of alcohol in the Cabernet Sauvignon. 40% of the crop is into this 1st wine, one of the highest in years. Harvest September 8 to 27. They are slowly changing the row orientation in the vineyard at Margaux, begun last year but a 50 year project, and introducing more Cabernet Franc through field grafting (wanting to get up to maybe 15% of plantings, currently 5%).

Jane Anson Inside Bordeaux (98-100)

Stunning in its density and construction, with a gorgeous balance that starts with red rose aromatics and slides into creamy and intense raspberry, damson, loganberry and cassis fruits. The intense structure of the vintage is on display, here with velvety tannins giving shape and contrast by a push and pull of slate, graphite, cloves, turmeric, cardamom and white pepper. Bitter dark chocolate ending, a character of the year but here delivered with a blast of cooling mint leaf. Philippe Bascaules director, harvest September 8 to 27, 25hl/h yield. 100% new oak, to be monitored carefully over ageing because this is the first time they have seen this level of alcohol in the Cabernet Sauvignon. 40% of the crop is into this 1st wine, one of the highest in years. Harvest September 8 to 27. They are slowly changing the row orientation in the vineyard at Margaux, begun last year but a 50 year project, and introducing more Cabernet Franc through field grafting (wanting to get up to maybe 15% of plantings, currently 5%).

Jane Anson Inside Bordeaux (98-100)

Stunning in its density and construction, with a gorgeous balance that starts with red rose aromatics and slides into creamy and intense raspberry, damson, loganberry and cassis fruits. The intense structure of the vintage is on display, here with velvety tannins giving shape and contrast by a push and pull of slate, graphite, cloves, turmeric, cardamom and white pepper. Bitter dark chocolate ending, a character of the year but here delivered with a blast of cooling mint leaf. Philippe Bascaules director, harvest September 8 to 27, 25hl/h yield. 100% new oak, to be monitored carefully over ageing because this is the first time they have seen this level of alcohol in the Cabernet Sauvignon. 40% of the crop is into this 1st wine, one of the highest in years. Harvest September 8 to 27. They are slowly changing the row orientation in the vineyard at Margaux, begun last year but a 50 year project, and introducing more Cabernet Franc through field grafting (wanting to get up to maybe 15% of plantings, currently 5%).

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Vinous - Neal Martin (93-95)

The 2022 Rieussec has a precise bouquet with mineral-infused honeyed fruit, and hints of oyster shell tucked under that botrytis. The palate is medium-bodied with a viscous opening, crisp acidity, very harmonious with neatly integrated oak. Lively on the finish, but I feel this will need bottle age to cohere. Patience required.