Decanter (97)

Vibrant and intense colour in the glass, richly scented, floral and perfumed, open and inviting. Intense and concentrated, the fruit is dark and ripe but there’s no hint of over ripeness here and instead you get cool blue fruits, chalky tannins and minty freshness with accents of liquorice, coffee, tobacco, cedar spice and clove. Tannins are clearly at the fore, giving the structure and the frame while the juicy acidity gives the energy and life. Still on the serious side, not tense so much as there’s good persistence, it’s lean and streamlined, but refined in a spiced and mineral way. Gorgeous terroir markers, lovely detail and precision, you can feel they haven't worked too much or tried too hard. It carries the signature of the estate in the serious structure, it’s a big wine, there’s such power here but so well controlled and delivered. Razor sharp, focussed and persistent. A gorgeous 2022, well executed and will be a clear success.

Jane Anson Inside Bordeaux (98)

Easily one of the best wines of the appellation. Red rose petal fragrance, damp earth, rosemary, baking spice, sandalwood, incense, graphite and slate. Exceptional balance, deep chocolate and mint character, with lush damson and cassis fruits. Crushed violet flowers and salted cracker salinity, extremely impressive. Owner Henri Lurton has experience of making wine overseas, in Baja California, which may have given insights into viticultural techniques n the heat, but the real key here is the old vine Cabernet Sauvignon planted in the 1950s and 1960s by his late father Lucien Lurton. 100% new oak, from 8 coopers, and the meticulous approach to oak ageing care of technical director Christophe Capdeville is also important. 42% of production in the 1st wine. All the young vines, even when co-planted in the same rows were picked separately also this year.

James Suckling (96-97)

Extremely perfumed with sweet tobacco and blackcurrants as well as cedar and dark chocolate. Aromatic. Medium-bodied with an intense center palate of blackcurrant, orange peel and peaches. Nervy. 53% cabernet sauvignon, 40% merlot, 4% cabernet franc and 3% petit verdot.

James Suckling (95-96)

Very Pauillac in its blackcurrant, dark chocolate and walnut husk character. Full-bodied yet compacted. Wet earth, mushroom, earth, black tobacco. Fine and intense tannins. Fresh and complex. 78% cabernet sauvignon and 22% merlot.

James Suckling (97-98)

This is a big move forward for Giscours. Full-bodied yet agile and fresh with tannins that are precise and integrated, with great beauty and length. Well-structured and vivid. Extremely fine yet defined tannins, and then it opens like a butterfly.

James Suckling (96-97)

Beautiful texture here. Tannins are dense and compact but finely polished and silky. Seamless and even with length and succulence. Medium- to full-bodied. Power with elegance. Endless for this. Finally the best ever.

Vinous - Neal Martin (96-98)

The 2022 Grand Puy Lacoste was picked from 7 to 23 September and contains more Merlot due to the high quality of the fruit, matured in 75% new oak. There is 14.2% alcohol. Therefore, this lends this GPL a little more precocity and sensuality compared to other vintages, not cut from the same "classical" cloth as, say, the 2019 or 2020. Underlying this velvety veneer are enticing traits of freshly-rolled tobacco and undergrowth. The palate is medium-bodied with finely-sculpted tannins. Silky smooth in texture, so much so that it belies that backbone underneath. There is a peacock's tail of mineral-rich, quite peppery black fruit on the finish, completing a Pauillac endowed with huge potential.

James Suckling (99-100)

A classical Lafite that reminds me of something like the 1986, with its blackcurrant and tobacco character with cedar and hazelnut, but it's so today with its purity and precision. It's really about being Lafite here. Terroir gives great elegance with strength.

James Suckling (99-100)

A classical Lafite that reminds me of something like the 1986, with its blackcurrant and tobacco character with cedar and hazelnut, but it's so today with its purity and precision. It's really about being Lafite here. Terroir gives great elegance with strength.

James Suckling (95-96)

The Petit Mouton is more and more structured and intense. It's made for the cellar. Full to medium body. Lively and intense. Solid. 71% cabernet sauvignon, 19% merlot, 7% cabernet franc, and 3% petit verdot.

James Suckling (95-96)

The Petit Mouton is more and more structured and intense. It's made for the cellar. Full to medium body. Lively and intense. Solid. 71% cabernet sauvignon, 19% merlot, 7% cabernet franc, and 3% petit verdot.

James Suckling (98-99)

Wow. Blackcurrants, blueberries, blackberries and flowers. Full-bodied with beautifully integrated tannins that melt into the wine. Persistent and precise. A fantastic wine for the cellar. 66% cabernet sauvignon, 28% merlot, 3% cabernet franc and 3% petit verdot.

Jane Anson Inside Bordeaux (98-100)

Stunning in its density and construction, with a gorgeous balance that starts with red rose aromatics and slides into creamy and intense raspberry, damson, loganberry and cassis fruits. The intense structure of the vintage is on display, here with velvety tannins giving shape and contrast by a push and pull of slate, graphite, cloves, turmeric, cardamom and white pepper. Bitter dark chocolate ending, a character of the year but here delivered with a blast of cooling mint leaf. Philippe Bascaules director, harvest September 8 to 27, 25hl/h yield. 100% new oak, to be monitored carefully over ageing because this is the first time they have seen this level of alcohol in the Cabernet Sauvignon. 40% of the crop is into this 1st wine, one of the highest in years. Harvest September 8 to 27. They are slowly changing the row orientation in the vineyard at Margaux, begun last year but a 50 year project, and introducing more Cabernet Franc through field grafting (wanting to get up to maybe 15% of plantings, currently 5%).

Jane Anson Inside Bordeaux (98-100)

Stunning in its density and construction, with a gorgeous balance that starts with red rose aromatics and slides into creamy and intense raspberry, damson, loganberry and cassis fruits. The intense structure of the vintage is on display, here with velvety tannins giving shape and contrast by a push and pull of slate, graphite, cloves, turmeric, cardamom and white pepper. Bitter dark chocolate ending, a character of the year but here delivered with a blast of cooling mint leaf. Philippe Bascaules director, harvest September 8 to 27, 25hl/h yield. 100% new oak, to be monitored carefully over ageing because this is the first time they have seen this level of alcohol in the Cabernet Sauvignon. 40% of the crop is into this 1st wine, one of the highest in years. Harvest September 8 to 27. They are slowly changing the row orientation in the vineyard at Margaux, begun last year but a 50 year project, and introducing more Cabernet Franc through field grafting (wanting to get up to maybe 15% of plantings, currently 5%).

James Suckling (93-94)

Blackcurrant, black olive and black berry aromas and flavors. Full and chewy with very polished tannins. It’s all integrated and focused. Solid young wine here.

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

Matthew Jukes (20++)

This wine is the last in the line-up when one tastes at Mouton. It is like a vinous pole-vault competition... But you can imagine that the adrenaline is pumping when I arrive at the Grand Vin, and the standards are sky high. I will leave this meandering metaphor now as the crowd claps in unison and I set off down the runway. This magnificent wine has so much more reserve, control and composure than I could have imagined. It is as if every element of its preparation has been perfected and delivered in perfect harmony. We know that the weather patterns were nothing short of terrifying in 2022 as the mercury rose and the viti-teams had more to offer apart from faith in the vines. But this faith was not misguided, and the vines performed miracles. This is a less flamboyant wine than I was expecting. It seems to have no time for showiness or exhibitionist behaviour. Instead, it is as deep as the Mariana Trench in colour and serenity. There is no easy way to tackle this wine, and it requires effort to tease out strands of information from the untold complexity of this palate conundrum. This wine could only be Mouton given its stance, intensity and flavour profile, and yet no Mouton has ever come close to the shape, style and delivery of its panoply of flavours. It is a wicked combination of darkness and freshness, and while it detonates cassis on the palate, this is not an exotic wine but a severely dramatic one with epic lift and energy on the finish, and it is clear that there is so much behind the scenes it boggles the mind. The texture on the finish is emery-board fine cold embers dust the taste buds with mouth-watering results. And while this is a well-behaved and mannerly wine, as you would expect, what we see on the surface now is most likely not what we will see in the chapters of flavour that emerge over time. This incredible wine opened up bit by bit over the half an hour of my visit, and I venture it would still be doing so today. I cannot imagine how this wine could be improved, so I am thrilled to award Mouton Rothschild a perfect score. 20++

James Suckling (98-99)

So much class in the nose with a sophisticated kaleidoscope of dark fruit such as blackcurrants, and spices such as salt and pepper, as well as cloves and nutmeg. Full-bodied. Compacted and dense yet weightless. It opens beautifully. The tannins go on and on with wonderful presence. Salty undertones.

The Wine Independent (98-100)

A blend of 78% Cabernet Sauvignon, 17% Merlot, and 5% Cabernet Franc, the 2022 Pichon Longueville Comtesse de Lalande is deep garnet-purple in color. After a little coaxing, aromas of blackcurrant jelly, juicy plums, and wild blueberries waltz out of the glass, followed by nuances of red roses, damp soil, tar, and licorice. The medium-bodied palate is tightly wound, with impressive tension created by mineral-laced, crunchy black fruit layers, framed by firm, grainy tannins and seamless freshness, finishing long and savory. pH 3.8.

The Wine Independent (98-100)

A blend of 78% Cabernet Sauvignon, 17% Merlot, and 5% Cabernet Franc, the 2022 Pichon Longueville Comtesse de Lalande is deep garnet-purple in color. After a little coaxing, aromas of blackcurrant jelly, juicy plums, and wild blueberries waltz out of the glass, followed by nuances of red roses, damp soil, tar, and licorice. The medium-bodied palate is tightly wound, with impressive tension created by mineral-laced, crunchy black fruit layers, framed by firm, grainy tannins and seamless freshness, finishing long and savory. pH 3.8.

James Suckling (99-100)

What a finish on this Pontet-Canet. So much energy and brightness. It's full-bodied yet so tight and focused with superb fruit and transparency. It is racy and fine with super fine texture. It's like crushed cabernet sauvignon with cassis, tobacco and cigar box. Licorice and spices. Freshness of the seed. 57% cabernet sauvignon, 35% merlot, 4% cabernet franc, and 4% petit verdot.

James Suckling (94-95)

Pretty sample of RG this year with lots of blackberry and blackcurrant character. Full and juicy with solid tannins.

Jeb Dunnuck (97-99)

This château has been firing on all cylinders of late, no doubt due to the talents of technical director Nicolas Audebert, and a wine that's going to flirt with perfection is their 2022 Château Rauzan-Ségla. Powerful notes of black cherries, currants, smoked tobacco, chocolate, and leafy herbs all define the aromatics, and it hits the palate with full-bodied richness, a deep, layered, concentrated texture, ripe yet building tannins, and a great finish. This is a legit great wine that's going to rival the 2010, 2015, 2016, 2018, and 2020.