Experience the sheer elegance of Charla Haasbroek Cabernet Sauvignon 2017, artfully crafted under the skilful hands of winemaker Charla Haasbroek. This artisanal wine is produced in the renowned Stellenbosch region of South Africa, famous for its optimal grape-growing conditions. Charla's meticulous winemaking approach, aligning traditional methods with innovative techniques, results in Cabernet Sauvignon of distinctive character.

The wine displays rich dark fruit aromatics, underscored by nuanced notes of leather and spice. On the palate, it reveals a robust structure with velvety tannins and a harmonious balance achieved through 18 months of French oak barrel maturation. The Charla Haasbroek Cabernet Sauvignon 2017 could be described as a modern classic: a wine that pays homage to its varietal heritage with a discernible expression of its unique terroir.

Ly celebrated for her dedication to crafting authentic wines that echo their origins, Charla Haasbroek's Cabernet Sauvignon 2017 is a sublime testament to her passion and expertise.

James Suckling (99)

Super refined and beautiful with flowers, spices, dried fruit and hints of stones. Medium to full body with very fine tannins and a gorgeous finish. Shows great finesse and depth. Savory character, as always, but in check. Drink in 2022.

James Suckling (100)

This is the greatest Cheval des Andes ever. Discrete aromas of blackberries, flowers, stone and licorice. So perfumed. The integration of fruit, tannins and acidity is fantastic. Full-bodied, tight and solid with beautiful depth and integrity. Extremely long and exciting. Complex and compelling with such refinement and length. A blend of 62% malbec and 38% cabernet sauvignon. Available in September 2020. Better after 2024.

Wine Advocate (98)

The 2018 Cheval des Andes is a blend of 70% Malbec and 30% Cabernet Sauvignon fermented in small lots in 3,000- to 8,000-liter tanks and matured 40% in 225-liter oak barrels, 40% in 400-liter oak barrels and the remaining 20% in 2,500-liter oak vats for 13 months. Ninety percent of the oak used was French and the rest a blend of Austrian, Slovenian and German oak, 50% of it new. 2018 has been one of the best vintages in recent times in Mendoza, and the wine shows it. It's a cooler vintage, and the wine has improved in freshness and elegance without losing any clout. It's 14.5% alcohol and has a pH of 3.73. This is young, juicy, elegant and balanced and still has some herbal and toasted notes; it's medium to full-bodied, with the creamy and luxurious texture of the modern Bordeaux, ultra fine tannins and a long, dry and precise finish. It's still undeveloped and seems to have all the components and the balance between them for a long and positive development in bottle. With wines like this, I sometimes wish I had a time machine so I could see them in 20 years from now... I think this is the finest Cheval des Andes I've ever tasted. 100,000 bottles produced. It was bottled in January 2020.

Wine Advocate (98)

The 2020 Cheval des Andes was harvested from the last of February for the first time ever. It was Gabillet's second vintage at Cheval des Andes, and that year, he had to start without waiting for Pierre Olivier Clouet and Pierre Lurton from Cheval Blanc; when they arrived, they had finished picking the Malbec, which surprisingly was fresher in Las Compuertas (because of the higher percentage of clay?) than in Altamira (where the vines suffered more stress), saving the freshness. They now harvest using cold trucks (for the first time), and they also started earlier in the morning (six in the morning, impossible earlier in Mendoza...), which he reckons was very good for the precision of the wine. They used 40% 225-liter barrels, 40% 400-liter oak barrels and 20% 2,500-liter foudres, half of them new and with an élevage of 15 months on average, depending on the lots and varieties from 12 to 18 months. The final blend was 49% Cabernet Sauvignon, 29% Malbec and 2% Petit Verdot, which makes a comeback as it was not used since 2016. The key was to finish the fermentation of the Petit Verdot without skins, and that way, they have been able to use it in the blends of 2021, 2022 and 2023 in small but increasing percentages. This is slightly riper than 2019, with a little more alcohol (14.5%) and with very good structural tannins but saving the freshness, and it has the spicy side from the Petit Verdot (Gabillet talks about white pepper). The wine has the ultra sleek and polished texture and the elegance and the balance that is the signature here; the wine is very clean and precise. I see very good regularity across the three vintages I tasted next to each other—this 2020 and the 2018 and 2019. Overall, this is a triumph over the adverse conditions of the vintage. They produced their usual 100,000 bottles (since 2018), as they are renewing their vineyards and want to keep the volume stable. They produce this volume from the 36 productive hectares they have in Las Compuertas and Altamira. There are some more changes: in 2020, they went for a lighter bottle, weighing 100 grams less than the one they used in 2018 and 2019, but close to 300 grams less than the bottle from before. It's also a slimmer bottle, always thinking about the environment. They are very focused on agroecology, accelerating the regenerative viticulture and using cover crops; they have planted 1,900 trees in the last three years, creating small clusters of biodiversity for birds. They have transplanted some centenary olive trees and keep their sheep and lamas on the property. Very green-minded.

Tim Atkin MW (97)

It’s not just because I’ve visited this spectacular site that I love the Malbec it produces, although that helps. This really is one of the great wines of the world, with amazing perfume of wild herbs and white pepper, layers of red and dark berry fruit, stylish oak, filigree tannins and a finish that lingers on the palate.

Tim Atkin MW (95)

Cuvée Cinéma is sourced from the top end of the Hemel-en-Aarde Valley from a clay- shales vineyard planted in 2009. The stems were unusually mature in 2019, so Peter-Allan Finlayson added 70% whole bunches. The result is sappy, spicy and quite dense, with effortless concentration, black cherry and plum fruit, sinewy tannins and good ageing potential. 2022-29

Tim Atkin MW (95)

Part of a brilliant line up of Pinot Noirs from Crystallum in 2020, this is a wine with evident tannin and extraction - more Nuits-St-Georges than Chambolle-Musigny perhaps - with plenty of grip, dark cherry and raspberry fruit, subtle 20% new wood and added complexity from 40% whole bunches.

Tim Atkin MW (95)

Jacob's Vineyard on the Hemel-en-Aarde Ridge - also the source of Crystallum's Clay Shales Chardonnay - supplies the grapes for Cuvée Cinéma, which sits mid-way between Bona Fide and Mabalel in style. Perfumed, intense and grippy, with orange zest, cranberry and forest floor notes and well-handled 20% new oak.

A slightly more savoury and distinctly Burgundian expression featuring enhanced earthiness from cloves and tree bark. The red fruits are here in abundance, most notably wild strawberries and rhubarb, while there is a red apple skin quality to the tannins. The finish is all crushed mulberries and salted cherries, adding a moreish finish, which makes the wine dangerously drinkable in spite of its ageing potential.

Vinous (92)

The 2017 Aristargos is a blend of several white varieties from 14 different vineyards that includes Marsanne for the first time. It is whole-bunch-pressed, with the Sémillon kept on its skins for a few days and then matured in 300-liter used barrels for 12 months. It has a vivacious bouquet of yellow plum, mirabelle and jasmine aromas, all wonderfully defined. The palate is well balanced with a waxy texture and notes of stone fruit, sesame, walnut and orange peel . A very subtle flor-like element lends tension on finish. Superb.

Vinous (91)

The 2018 Aristargos is a blend of 53% Chenin Blanc, 13% Clairette, 13% Sémillon with some skin contact, 10% Roussanne, 2% Marsanne and 9% Viognier, from a mixture of old and younger vines from across 14 vineyards, matured in neutral oak for 11 months. It has a complex bouquet of nectarine, desiccated orange peel, grilled hazelnuts and a touch of almond. The palate is fresh on the entry with a fine bead of acidity and quite neutral in style, offering subtle, fleeting glimpses of orange zest and a tang of sea salt, though I would like just a little more weight on the finish. Give this a couple of years in bottle.

Tim Atkin MW (94)

I did a double take when I realised this was the tenth vintage of Aristargos - 2010 seems like yesterday - but what a great and reliable wine it has become. Chenin-based with 50% Clairette, Semillon, Roussanne, Viognier, Marsanne, Grenache Blanc and Verdelho, it's wonderfully complex and layered, with pear, citrus and herbal notes, a hint of peach and a long, stony finish. 2021-27

Tim Atkin MW (93)

Seventeen vineyards, 25 pickings and no co-fermentation" says David Sadie of this tasty, complex cuvée of Chenin Blanc with 51% Roussanne, Semillon, Marsanne, Clairette, Viognier, Verdelho, Grenache Blanc and Colombard. Perfumed, focused and textured for a white with just 12.5% alcohol, it's waxy, subtle and nuanced, with citrus, apple and nectarine flavours and very little oak. 2021-26

Vinous (92+)

The 2016 Elpidios is a blend of red Rhône varieties, although with new vineyard plantings there is more Carignan. It includes 30% to 50% whole bunches and was matured in used French oak for 12 months, and another 12 months in bottle. It has a backward bouquet at first that opens with time, but it is very well defined, featuring blackberry, clove, bay leaf and white pepper, very understated in style but gaining clarity with aeration. The palate is medium-bodied with fine-grained tannin, quite insistent in terms of grip, and possesses fine backbone courtesy of the Carignan on the slightly ferrous finish. Excellent.

Vinous (93)

The 2017 Elpidios spends an extra year in bottle compared to Sadie’s other wines. For the first year, the blend is based on Grenache (31%), plus 30% Syrah, 19% Carignan, 10% Cinsault and 10% Pinotage, with around 50% whole bunch across the range, matured in 500-liter barrels and foudres. It offers cranberry and pomegranate scents on the deep, broody nose; tertiary/undergrowth notes originate from the whole-bunch addition. The palate is medium-bodied with dark cherry, hoisin and light black pepper notes from the Carignan. This is fresh and vibrant, not powerful or deep, yet perfectly proportioned toward the finish. Very fine, and it should drink with about a year in bottle.

Tim Atkin MW (94)

Made in the last of the so-called drought vintages, this stylish red assemblage has been Grenache-led since 2017, with 62% Syrah, Pinotage, Carignan and Cinsault completing the picture. Grippy, firm and stony, with 50% whole bunch spices, a waft of rose petal and tangy red cherry, plum and redcurrant fruit. 2022-28

Vinous (95)

The 2018 Hoë-Steen is predominantly Chenin Blanc, planted toward Darling on deep iron-clay soils and usually picked after the reds. The vines were planted in 1968. This has a more stony bouquet than the Skaliekop, a very slight nutty/smoky note emanating from a few Palomino vines. The palate is just superb. It is supremely well defined with a lovely lock of salinity that runs from start to finish. There is tangible energy to this wine, which displays a hint of tangerine and even menthol toward the finish. Superb.

Tim Atkin MW (96)

One of a trio of world-class single site Chenin Blancs from David and Nadie Sadie (no relation to Eben, by the way), this hails from a two-hectare vineyard that was planted in 1968 and is often picked late. Completing full malolactic - such is the acidity in the grapes - this is leesy, focused and taut, with some ferrous grip and a textured palate. 2021-29

Tim Atkin MW (96)

Hoë-Steen comes from a 1968 vineyard to the west of Malmesbury on deep red iron and clay-rich soils. Broader and richer than the other single site Chenins from the Sadies, with some ferrous grip, fine oak integration, pear, cream and stone fruit flavours and a taut finish.

Vinous (94)

The name of the maiden 2018 Plat’bos (“low bush”) indicates the kind of vines it comes from, lying in a vineyard adjacent to the Skaliekop on pure granite soils. It has a unapologetically silty, stony bouquet, very reserved and austere yet with an enthralling intensity that seems almost paradoxical. The palate is very well balanced. Perhaps one of the most concentrated of David and Nadia Sadie’s wines, it reveals a crescendo of flavors, with tangerine, citrus peel, stem ginger and a touch of rhubarb toward the persistent finish. This is another impressive Chenin from this producer.

Tim Atkin MW (98)

David & Nadia Sadie are now part of an elite group of South African Chenin Blanc producers, making world-class wines on a consistent basis. This is my favourite of their trio of single vineyard wines in 2019, sourced from a 3.9-hectare site on granite soils on the Paardeberg. Tight, taut and floral, with comparatively low alcohol, mouth-watering freshness, precision and acidity, notes of fennel, apple and gunflint and a lingering finish. A Cape Grand Cru. 2021-32

Tim Atkin MW (98)

One of the great whites of the southern hemisphere, not just of South Africa, this is the Montrachet of Chenin Blanc. Made with three different pickings from the top part of the Paardebosch farm, it has the concentration of its 40-year-old vines, mouth-watering acidity and pH, chiselled freshness and layers of rock salt, aromatic spices, pear and lemongrass.

Vinous (93)

The 2018 Skaliekop comes from shale soils in the Paaderberg subregion, the Chenin Blanc vines planted in 1985. It is blessed with a very aromatic bouquet of pressed white flowers and jasmine; a little honeysuckle emerges with time. The palate is fresh on the entry with a fine bead of acidity. This is understated and very well balanced, and quite reminiscent of Chris Alheit’s style of winemaking. A delicious tang of sea salt appears toward the finish. One of those wines where the adage “more is better” is surely apt.

Tim Atkin MW (96)

Skaliekop is a shallow shale site on the Paardebosch farm that benefited from the addition of moisture-retaining mulch in 2019. Yeasty, leesy and broader than the other two single vineyard Sadie Chenins, this has notes of citrus peel and beeswax, plenty of weight and a stony finish. 2021-29